Still many viewers won`t find it as distracting as I did, and will immensely be impressed by overall picture quality which has a high balance of sharpness, proving excellent visual information missed out upon during the theatrical run of the film. Because of the line resolution, picture details can become quite a problem for certain picture images to be encoded as it is the case for this title. I suspect that the NTSC format was the main reason for this problem as it doesn`t offer a better resolution of lines like the PAL format. But the picture did have a high amounts of shimmering and moiré effects that really became the only distracting notion on the overall sharp and clear picture information present on this DVD. Compression artefacts and grain problems didn`t present any concerns when viewing as they were non-existent. Because not a lot of DVNR was used on this title problems like digital filtering is not as avidly seen on this DVD as such as they are seen on a DEI`s older title like Roja. But the majority of the whole film DVNR was not used, and showed how well clean the print was. The reason being was that blemishes was originally present on this part of the film on the 35mm negative, which the DVNR had concealed quite well on this DVD. Some use of DVNR (Digital Visual Noise Reduction) was present during the title song in chapter two. Taken from the interpositive 35mm negative print the film remains quite clean from wear and tear. It is not easy,” he added.Video This DVD has kept the original intentions of the director as it has been framed according to the original aspect ratio of 2.66:1. It is becoming difficult and everything is so complex and I am trying to find my space in it.
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“It doesn’t hurt me but I do feel sad as I have seen the plus points, I have seen how goodness can win. The director said he does not mind harsh criticism from the younger generation, but feels sad when the youth doesn’t relate to his vision. I understand you have to show things in a practical way, but it is important to stay connected and that’s what I want to keep doing it.” I remember when a brother and sister came out and walked up to me after watching ‘Prem Ratan Dhan Payo’ and she told me don’t show us the dreams. As a business venture, there is a hunt to reach out to youngsters because unless you don’t reach out to them you are not helping society. I am not tied with any commercial aspects to make a film. “I know youngsters don’t come for my films except for Maine Pyar Kiya. I feel it is so healthy,” he added.īarjataya said while he is aware that families still enjoy watching his movies, he wants his stories to resonate with the youth as well. “I appreciate when I see something like ‘Badhaai Ho’ or ‘Bala’ or how Raju Hirani makes films. The director said he looks up to filmmamkers like Rajkumar Hirani, Amit Ravindernath Sharma and Amar Kaushik who make movies in a novel way for family audiences, for inspiration.
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But how to make it is a challenge for youngsters so that they can also relate to it,” Barjataya told PTI in an interview. “I also know, it is not about staying together, it is no longer about that as you can’t stay because of space issue, also there are going to be moments of arguments which you must show in a healthy way.
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